FE 24-70mm F2.8 GM In the nearly two months I started, I probably shot 6,000 photographs. I also had a deeper understanding of the FE 24-70mm F2.8 GM, so I wrote a text and tried my best. The full-featured FE 24-70mm F2.8 GM was passed to everyone.
In the loss of ZEISS T-coated blessing FE 24-70mm F2.8 GM, in anti-glare, ghosting has become its weakness? With this question, I took a few shots of the photo taken.
SONY ILCE-7RM2+ FE 24-70mm F2.8 GM 1/160s F8 ISO100 24 mm
SONY ILCE-7RM2+ FE 24-70mm F2.8 GM 1/1600s F8 ISO100 70mm
According to the photos, FE 24-70mm F2.8 GM can be bravely looking at the sun without glare or ghosting, whether it is on the 24th or 70th. Of course, this does not mean that the FE 24-70mm F2.8 GM's screen is clean and not even halo. For many film lovers, the unique glow of each lens is its charm. After trying a lot of angles, the author finally took the halo of the lens.
SONY ILCE-7RM2+ FE 24-70mm F2.8 GM 1/60s F5.6 ISO100 60mm
What is the performance of FE 24-70mm F2.8 GM in pursuit of ultra-high resolution tomorrow? After more than two weeks of substantial shooting, the author found that this lens in the focal length of about 50mm, the resolution reached the highest value.
SONY ILCE-7RM2+ FE 24-70mm F2.8 GM 1/800s F2.8 ISO160 45mm
The image quality experience with full aperture, this is probably the best imaging focal length for FE 24-70mm F2.8 GM. Of course, this lens is very good even on the 24th and 70th side of the imaging, especially the 70 side as the lens's strongest virtual focal length, the aperture full open quality?
SONY ILCE-7RM2+ FE 24-70mm F2.8 GM 1/250s F2.8 ISO1600 70mm
Resolution. I think that most ordinary users can admire the image quality. One of the most intuitive indicators is the lens resolution. It is commonly known as sharp or clear. FE 24-70mm F2.8 GM's index is quite good, especially after slightly reducing the aperture value. When my mother-in-law saw it, she would praise her. "The lens you bought this time is the best. It's very clear. The hair of the baby can be photographed."
SONY ILCE-7RM2 FE 24-70mm F2.8 GM 1/80s F3.5 ISO 500 70.0 mm
SONY ILCE-7RM2 FE 24-70mm F2.8 GM 1/320s F3.5 ISO 400 70.0 mm
Under the FE 24-70mm F2.8 GM lens, the hair and texture of the skin have become very clear, especially when I put this lens into the studio. Especially the focal length between 24 and 70 makes it easier for the studio to take a seat. It is easy to sit with a chair and pull the zoom ring to walk between the full-length portrait and the portrait close-up.
SONY ILCE-7RM2 FE 24-70mm F2.8 GM 1/80s F8 ISO 500 24.0 mm
SONY ILCE-7RM2 FE 24-70mm F2.8 GM 1/80s F8 ISO 100 35.0 mm
SONY ILCE- 7FE 24-70mm F2.8 GM 1/125sF8 ISO 100 52.0 mm
The pursuit of extreme soft focus is one of FE 24-70mm F2.8 GM's selling points. In fact, the out-of-focus expectations for a standard zoom lens are not too high. The actual use has revealed that even the FE 24-70mm F2.8 GM with the weakest virtual power among the three master G-shots still performs well.
SONY ILCE-7RM2 FE 24-70mm F2.8 GM 1/125s F2.8 ISO 800 70 mm
SONY ILCE-7RM2 FE 24-70mm F2.8 GM 1/125s F3.2 ISO 1000 70 mm
SONY ILCE-7RM2FE 24-70mm F2.8 GM 1/200s F3.5 ISO 1250 30 mm
SONY ILCE-7RM2 FE 24-70mm F2.8 GM 1/250sF2.8 ISO 100 56 mm
If FE-70-70mm F2.8 GM affects what is the most profound feature of me, I think it must be the ability to resist dispersion, which is commonly known as purple fringing. I specifically photographed the sun through the leaves at 12 noon. This should be a high contrast shooting environment. Almost all lenses will have obvious purple fringing in such an environment. What is the specific performance of the FE 24-70mm F2.8 GM? Please look at the picture:
The three screenshots are resolution shots of 24, 70, and 50 commonly used focal lengths. If it is not 100% magnification, the naked eye is very difficult to detect purple fringing. And all of this was shot in the 2.8 full aperture mode. Many people say that dispersion resistance is not important, and anyway, purple edges are easy to eliminate in the later period. But this is not the case. In the end, no matter how to remove the purple fringe, there may still be obvious flaws, or it may take a lot of time to be perfect. And all this is not as good as the lens itself has excellent resistance to dispersion.
SONY ILCE-7RM2 FE 24-70mm F2.8 GM 1/500s F5 ISO1250 24.0 mm
SONY ILCE-7RM2 FE 24-70mm F2.8 GM 1/100s F2.8 ISO 500 24.0 mm
Many photographers are concerned about the shape of the star. When the FE 24-70mm F2.8 GM has a full aperture of 2.8, the starburst is not obvious. When the aperture is reduced to 4.0 apertures, the shape of the starburst has become apparent. Then it is reduced to 8.0 aperture, which is basically the best value for starburst, the standard eighteen-point star.
The so-called coma means that the lens light source appears a tail, like a comet. Usually the edges of the picture will appear more easily. However, under the FE 24-70mm F2.8 GM lens, I could not find any coma.
If you want a lens that can satisfy both landscapes and portraits without losing focus on quality, FE 24-70mm F2.8GM is a good choice. However, someone recently asked me, "Every shot you use is good. Is it really good to get one?" The very good question, the answer is: each one is really good. Can't I buy it? Only each lens is good at shooting the subject matter, the characteristics are not the same, the industry specializing in surgery, the lens is the same. So in fact, there are only three words I want to say: "Buy! Buy! Buy!"
Finally, attach a set of benefits to it.
SONY ILCE-7RM2 FE 24-70mm F2.8 GM 1/80s F2.8 ISO 500 70 mm
SONY ILCE-7RM2 FE 24-70mm F2.8 GM 1/60s F2.8 ISO1250 24 mm
SONY ILCE-7RM2 FE 24-70mm F2.8 GM 1/60s F2.8 ISO 500 46 mm
SONY ILCE-7RM2 FE 24-70mm F2.8 GM 1/80s F2.8 ISO 500 24 mm
SONY ILCE-7RM2 FE 24-70mm F2.8 GM 1/60s F2.8 ISO1250 70 mm
SONY ILCE-7RM2+ FE 24-70mm F2.8 GM 1/320s F8 ISO160 24mm
SONY ILCE-7RM2+ FE 24-70mm F2.8 GM 1/320s F6.3 ISO320 24mm
SONY ILCE-7RM2+ FE 24-70mm F2.8 GM 1/320s F6.3 ISO320 24mm
SONY ILCE-7RM2+ FE 24-70mm F2.8 GM 1/100s F4 ISO100 70mm
SONY ILCE-7RM2+ FE 24-70mm F2.8 GM 1/100s F4 ISO100 70mm
SONY ILCE-7RM2+ FE 24-70mm F2.8 GM 1/100s F4 ISO100 24mm
SONY ILCE-7RM2+ FE 24-70mm F2.8 GM 1/30s F2.8 ISO2500 24mm
SONY ILCE-7RM2+ FE 24-70mm F2.8 GM 1/25s F2.8 ISO2500 24mm
SONY ILCE-7RM2+ FE 24-70mm F2.8 GM 1/60s F4.5 ISO500 70mm
The product is manufactured in accordance with GB4004-83, JB/T7600.3-94 and DlN46395 standards. Its common carbon steel Q235 thin steel plate punched into corrugated type serves as the lateral plate; And its mandrel and major body are supported by four-groove reinforcing steel bars. The product has the characteristics of not only strengthening the strength of bobbin, but also having light weight of bobbin, which can be used for buncher, stranding machine, extruder, cabling machine and armouring machine.
| Serial Number | Specification Model | Lateral Plate Diameter D1 | Major Diameter D2 | Axle Hole Diameter D4 | Carrying Hole Diameter D5 | Center Distance E of Axle Hole and Carrying Hole | External Width L1 | Internal Width L2 |
| 1 | 800 | 800 | 400 | 80 | 40 | 160 | 600 | 500 |
| 2 | 1000 | 1000 | 500 | 80 | 40 | 160 | 750 | 630 |
| 3 | 1120 | 1120 | 560 | 80 | 40 | 160 | 850 | 710 |
| 4 | 1250 | 1250 | 630 | 80 | 40 | 160 | 950 | 800 |
| 5 | 1400 | 1400 | 710 | 80 | 65 | 300 | 1060 | 900 |
| 6 | 1600 | 1600 | 800 | 80 | 65 | 300 | 1180 | 1000 |
| 7 | 1800 | 1800 | 1000 | 100 | 65 | 300 | 1320 | 1120 |
| 8 | 2000 | 2000 | 1120 | 1235 | 65 | 300 | 1500 | 1250 |
| 9 | 2240 | 2240 | 1250 | 125 | 65 | 300 | 1700 | 1400 |
| 10 | 2500 | 2500 | 1500 | 125 | 65 | 300 | 1900 | 1600 |
| 11 | 2800 | 2800 | 1800 | 140 | 65 | 300 | 2120 | 1800 |
| 12 | 3150 | 3150 | 2000 | 160 | 65 | 500 | 2300 | 2000 |
| 13 | 4000 | 4000 | 2800 | 200 | 80 | 500 | 2300 | 2000 |
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