When I arrived in Paris earlier this month, I came across a billboard for an event titled *Weareable Fashiontech Festival*. At first glance, it didn’t really catch my attention—this is usually how it goes. But then I received a call from Anne-Francoise Pele, a colleague from EE Times Europe, who was covering the show. That’s when I decided to dive deeper into the world of fashion technology.
To be honest, I’ve never been much of a fashion enthusiast. What always turns me off about "wearable" tech is that most of it feels like a gimmick. The idea of wearable technology has been around since the early 2000s, with the merging of tech and fashion, but it never really took off. However, things have changed. Thanks to advancements in sensors, 3D printing, and the rise of the Internet of Things (IoT), wearables are now more integrated into daily life than ever before. They’re no longer just sci-fi fantasies or gadgets trying to invade our bodies—they're becoming part of our wardrobes.
Still, many so-called "fashion tech" products lack the creative vision of true fashion designers. Engineers might think LED shirts are "cool," but artists and real fashion designers approach these materials with a different mindset. Their focus isn't just on function—it's on expression, storytelling, and emotional connection.
Anne-Sophie Berard, the artistic director of the *Wearable Fashion Tech Carnival*, told me that the key here isn’t the technology itself, but the ideas behind it. She emphasized that the exhibition highlights young artists rather than established fashion designers. It's about what fashion can spark in society through the lens of technology.
The event in Paris featured some truly unique pieces. One of them was the *Spider Dress*—a design that made waves at CES last year. It uses motion sensors to create a protective shield around the wearer, responding to their emotions. Another standout was the *Goosebumps Dress* by Sensoree, which lights up based on the wearer’s mood, especially when they feel scared. It’s fun, but does it change your name? Probably not—but it sure makes a statement.
There was also a *Musical Kimono* that plays traditional Japanese music when you touch its sleeves. The “three flavors†of music remain a mystery, but the concept is intriguing. Then there was the *Vigor Knit Jacket*, designed specifically for rehabilitation patients. Equipped with sensors, it tracks movement and sends data to a mobile app, helping therapists monitor progress in real time.
Another fascinating piece was a shawl with a built-in camera that detects where people are looking and reacts with a 3D-printed surface. It’s a clever way to make clothing interactive and responsive. There was even a set of *Living Clothes* made from artificial skin that breathes and pulses, mimicking biological functions.
One of the most visually striking items was the *Music Jacket* by Ylenia Gortana. Designed with layers of conductive fibers and copper/silver wires, it allows users to interact with sound through touch. Inspired by her musical background, the jacket transforms the body into an instrument.
Finally, the *Spider Dress* made a return, still impressing with its Intel Edison-powered design. It combines robotics, fashion, and wearable tech to express emotion and protect personal space.
These exhibits aren’t just about flashy gadgets—they’re about redefining how we interact with clothing, technology, and ourselves. As the line between art, fashion, and tech continues to blur, the future of fashion looks more dynamic and expressive than ever.
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